Drawing inspiration from archival projects like The Fairoaks Project by Frank Melleno, which documented queer life in a San Francisco commune-bathhouse in the late 1970s, our work steps into the residue and potential of these architectures. We’re not attempting to reconstruct a past, but rather to listen to it—through fragments, gestures, and re-enactment iva photography. The bathhouse becomes not only a space of physical encounter but also a methodology: a place where performance, photography, and presence merge in new forms of making.
Through interviews, hacked-camera recordings in complete darkness, and performative exercises derived from found footage, we build a shared vocabulary across disciplines. Our aim is to create a space where queer embodiment is not only documented but activated—where something intimate, political, and transformative can emerge through artistic practice.
The outcome will take shape as a research publication, a film, and a performative installation. Together, these elements reflect the ongoing nature of the work: a constellation of moments, voices, and encounters that refuse to be fixed.
Tools used: Polaroid 600-camera, Infrared-camerasystem enhancse with technology.